Great reasons to buy from us:
-
30-Day Money-Back Guarantee
Changed your mind? Ordered the wrong thing? Simply return your item for a prompt exchange or refund. -
Free Shipping Over $70
Enjoy free shipping when you spend over $70 -
Secure Checkout
SSL Protected Checkout & Strongly Secure for Payments -
Fast Handling
Every order is a priority to us. We handle your order quickly to ensure you get your product fast.
by Francesca Hardy (Author), Francesca Minnie Hardy (Author)
Since the pioneering work of Vivian Sobchack, Laura U. Marks and Jennifer M. Barker, film studies has increasingly embraced multisensory spectatorship. Such approaches privilege a carnal vision and knowledge of the world. Vital Resonances furthers this work and attunes to what is a foundational, yet overlooked, principle of film studies' bodily turn: resonance. In keeping with the soft touch that characterises some of this turn's critical literature - the feel of velvet, the (frustrated) tactility of a sari, the skin of a lover's body - resonance has been brushed over. Through the work of three leading figures in European cinema, Agnès Varda, Michael Haneke and Jean-Luc Nancy, this book establishes resonance as a critical and conceptual paradigm for film analysis, transforming it from a footnote to the bodily turn and finally placing it at the forefront of our fleshy encounter with film.
Back Jacket
Since the pioneering work of Vivian Sobchack, Laura U. Marks and Jennifer M. Barker, film studies has increasingly embraced multisensory spectatorship. Such approaches privilege a carnal vision and knowledge of the world. Vital Resonances furthers this work and attunes to what is a foundational, yet overlooked, principle of film studies' bodily turn: resonance. In keeping with the soft touch that characterises some of this turn's critical literature - the feel of velvet, the (frustrated) tactility of a sari, the skin of a lover's body - resonance has been brushed over. Through the work of three leading figures in European cinema, Agnès Varda, Michael Haneke and Jean-Luc Nancy, this book establishes resonance as a critical and conceptual paradigm for film analysis, transforming it from a footnote to the bodily turn and finally placing it at the forefront of our fleshy encounter with film. Francesca Minnie Hardy is Senior Lecturer in Film and Television at Nottingham Trent University
Author Biography
Francesca Hardy is Senior Lecturer in the College of Art, Architecture, Design and Humanities, at Nottingham Trent University
| Shipping | This item ships to |
| Delivery | Estimated between and . Will usually ship within 1 business day. |
Description
by Francesca Hardy (Author), Francesca Minnie Hardy (Author)
Since the pioneering work of Vivian Sobchack, Laura U. Marks and Jennifer M. Barker, film studies has increasingly embraced multisensory spectatorship. Such approaches privilege a carnal vision and knowledge of the world. Vital Resonances furthers this work and attunes to what is a foundational, yet overlooked, principle of film studies' bodily turn: resonance. In keeping with the soft touch that characterises some of this turn's critical literature - the feel of velvet, the (frustrated) tactility of a sari, the skin of a lover's body - resonance has been brushed over. Through the work of three leading figures in European cinema, Agnès Varda, Michael Haneke and Jean-Luc Nancy, this book establishes resonance as a critical and conceptual paradigm for film analysis, transforming it from a footnote to the bodily turn and finally placing it at the forefront of our fleshy encounter with film.
Back Jacket
Since the pioneering work of Vivian Sobchack, Laura U. Marks and Jennifer M. Barker, film studies has increasingly embraced multisensory spectatorship. Such approaches privilege a carnal vision and knowledge of the world. Vital Resonances furthers this work and attunes to what is a foundational, yet overlooked, principle of film studies' bodily turn: resonance. In keeping with the soft touch that characterises some of this turn's critical literature - the feel of velvet, the (frustrated) tactility of a sari, the skin of a lover's body - resonance has been brushed over. Through the work of three leading figures in European cinema, Agnès Varda, Michael Haneke and Jean-Luc Nancy, this book establishes resonance as a critical and conceptual paradigm for film analysis, transforming it from a footnote to the bodily turn and finally placing it at the forefront of our fleshy encounter with film. Francesca Minnie Hardy is Senior Lecturer in Film and Television at Nottingham Trent University
Author Biography
Francesca Hardy is Senior Lecturer in the College of Art, Architecture, Design and Humanities, at Nottingham Trent University
Shipping
| Shipping | This item ships to |
| Delivery | Estimated between and . Will usually ship within 1 business day. |
