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by Ying Zhu (Editor), Christopher Allen Berry (Editor)
If radio and film were the emblematic media of the Maoist era, television has rapidly established itself as the medium of the "marketized" China and in the diaspora. In less than two decades, television has become the dominant medium across the Chinese cultural world. TV China is the first anthology in English on this phenomenon. Covering the People's Republic, Hong Kong, Taiwan, and the Chinese diaspora, these 12 original essays introduce and analyze the Chinese television industry, its programming, the policies shaping it, and its audiences.
Author Biography
Ying Zhu is Associate Professor of Cinema Studies in the Department of Media Culture, City University of New York, Staten Island.
Chris Berry is Professor of Film and Television Studies in the Department of Media and Communication at Goldsmiths College, University of London.
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by Ying Zhu (Editor), Christopher Allen Berry (Editor)
If radio and film were the emblematic media of the Maoist era, television has rapidly established itself as the medium of the "marketized" China and in the diaspora. In less than two decades, television has become the dominant medium across the Chinese cultural world. TV China is the first anthology in English on this phenomenon. Covering the People's Republic, Hong Kong, Taiwan, and the Chinese diaspora, these 12 original essays introduce and analyze the Chinese television industry, its programming, the policies shaping it, and its audiences.
Author Biography
Ying Zhu is Associate Professor of Cinema Studies in the Department of Media Culture, City University of New York, Staten Island.
Chris Berry is Professor of Film and Television Studies in the Department of Media and Communication at Goldsmiths College, University of London.
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