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by Danielle Hood (Author)
Satiricized by Strauss II to highlight the deceptive aristocratic class, under Schoenberg, Mahler, and Webern's pens the waltz became the pivot between the conscious and unconscious, forcing a paralytic "second state" analogous with the stagnation of the Habsburg Empire. The Viennese Waltz shows how, between 1864 - 1928, the waltz altered from signifier of upper-class artificeto the link between man and nature and between Viennese and "Other." Hood wields the Freudian concepts of the uncanny and the doppelgänger to explain this revolution from the simple signification of a dance to the psychological anxiety of a subject's place in society.
Author Biography
Danielle Hood received her PhD in musicology from the University of Leeds.
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Description
by Danielle Hood (Author)
Satiricized by Strauss II to highlight the deceptive aristocratic class, under Schoenberg, Mahler, and Webern's pens the waltz became the pivot between the conscious and unconscious, forcing a paralytic "second state" analogous with the stagnation of the Habsburg Empire. The Viennese Waltz shows how, between 1864 - 1928, the waltz altered from signifier of upper-class artificeto the link between man and nature and between Viennese and "Other." Hood wields the Freudian concepts of the uncanny and the doppelgänger to explain this revolution from the simple signification of a dance to the psychological anxiety of a subject's place in society.
Author Biography
Danielle Hood received her PhD in musicology from the University of Leeds.
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| Shipping | This item ships to |
| Delivery | Estimated between and . Will usually ship within 1 business day. |
