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by Michael Y. Bennett (Editor)
The Routledge Companion to Absurdist Literature is the first authoritative and definitive edited collection on absurdist literature. As a field-defining volume, the editor and the contributors are world leaders in this ever-exciting genre that includes some of the most important and influential writers of the twentieth century, including Samuel Beckett, Harold Pinter, Edward Albee, Eugene Ionesco, Jean Genet, and Albert Camus. Ever puzzling and always refusing to be pinned down, this book does not attempt to define absurdist literature, but attempts to examine its major and minor players. As such, the field is indirectly defined by examining its constituent writers. Not only investigating the so-called "Theatre of the Absurd," this volume wades deeply into absurdist fiction and absurdist poetry, expanding much of our previous sense of what constitutes absurdist literature. Furthermore, long overdue, approximately one-third of the book is devoted to marginalized writers: black, Latin/x, female, LGBTQ+, and non-Western voices.
Author Biography
Michael Y. Bennett is an Associate Professor of English and Affiliated Faculty in Philosophy at the University of Wisconsin-Whitewater, USA. In addition to being a past Fellow at the Institute for Research in the Humanities at the University of Wisconsin-Madison, he is a Life Member of Clare Hall, University of Cambridge, UK, where he was a Visiting Fellow. In addition to being on the Advisory Boards of Comparative Drama and the Journal of American Drama and Theatre, he is the President of The Edward Albee Society, the Editor of the book series, Routledge Studies on Edward Albee and American Theatre, and is the Editor of the journal, Theatre and Performance Notes and Counternotes. A theatre theorist and critic known for his work on absurd drama, philosophy of theatre, Edward Albee, and Oscar Wilde, he is the author or editor of fifteen books.
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Description
by Michael Y. Bennett (Editor)
The Routledge Companion to Absurdist Literature is the first authoritative and definitive edited collection on absurdist literature. As a field-defining volume, the editor and the contributors are world leaders in this ever-exciting genre that includes some of the most important and influential writers of the twentieth century, including Samuel Beckett, Harold Pinter, Edward Albee, Eugene Ionesco, Jean Genet, and Albert Camus. Ever puzzling and always refusing to be pinned down, this book does not attempt to define absurdist literature, but attempts to examine its major and minor players. As such, the field is indirectly defined by examining its constituent writers. Not only investigating the so-called "Theatre of the Absurd," this volume wades deeply into absurdist fiction and absurdist poetry, expanding much of our previous sense of what constitutes absurdist literature. Furthermore, long overdue, approximately one-third of the book is devoted to marginalized writers: black, Latin/x, female, LGBTQ+, and non-Western voices.
Author Biography
Michael Y. Bennett is an Associate Professor of English and Affiliated Faculty in Philosophy at the University of Wisconsin-Whitewater, USA. In addition to being a past Fellow at the Institute for Research in the Humanities at the University of Wisconsin-Madison, he is a Life Member of Clare Hall, University of Cambridge, UK, where he was a Visiting Fellow. In addition to being on the Advisory Boards of Comparative Drama and the Journal of American Drama and Theatre, he is the President of The Edward Albee Society, the Editor of the book series, Routledge Studies on Edward Albee and American Theatre, and is the Editor of the journal, Theatre and Performance Notes and Counternotes. A theatre theorist and critic known for his work on absurd drama, philosophy of theatre, Edward Albee, and Oscar Wilde, he is the author or editor of fifteen books.
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