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by Andy Lavender (Author), Chiel Kattenbelt (Author), Robin Nelson (Author)
This volume examines afresh the impact upon acting and performance of digital technologies.
Author Biography
Andy Lavender is Dean of Research and Professor of Contemporary Theatre at The Central School of Speech & Drama, University of London. He is co-convener of the Intermediality in Theatre and Performance working group of the International Federation for Theatre Research, and was formerly co-convener of the New Technologies for Theatre working group of the Theatre and Performance Research Association. Chiel Kattenbelt is Associate Professor in Media Comparison and Intermediality at Utrecht University. He teaches in the BA program Theatre, Film and Television Studies, in the MA programs Theatre Studies and New Media and Digital Culture and in the Research MA program Media and Performance Studies. Sarah Bay-Cheng is Associate Professor and Director of Graduate Studies in Theatre at the University at Buffalo, where she teaches performance theory, avant-garde theatre and film, and intermedial performance.
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by Andy Lavender (Author), Chiel Kattenbelt (Author), Robin Nelson (Author)
This volume examines afresh the impact upon acting and performance of digital technologies.
Author Biography
Andy Lavender is Dean of Research and Professor of Contemporary Theatre at The Central School of Speech & Drama, University of London. He is co-convener of the Intermediality in Theatre and Performance working group of the International Federation for Theatre Research, and was formerly co-convener of the New Technologies for Theatre working group of the Theatre and Performance Research Association. Chiel Kattenbelt is Associate Professor in Media Comparison and Intermediality at Utrecht University. He teaches in the BA program Theatre, Film and Television Studies, in the MA programs Theatre Studies and New Media and Digital Culture and in the Research MA program Media and Performance Studies. Sarah Bay-Cheng is Associate Professor and Director of Graduate Studies in Theatre at the University at Buffalo, where she teaches performance theory, avant-garde theatre and film, and intermedial performance.
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