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by E. Aston (Author), G. Harris (Author)
Moving across the boundaries of mainstream and experimental circuits, from the affective pleasures of commercially successful shows such as Calendar Girls and Mamma Mia! to the feminist possibilities of new burlesque and stand-up, this book offers a lucid and accessible account of popular feminisms in contemporary theatre and performance.
Author Biography
ELAINE ASTON and GERALDINE HARRIS are theatre professors based at Lancaster University, UK. Elaine's publications include Feminist Views on the English Stage (2003) and Caryl Churchill (3rd edition, 2010). Geraldine's previous publications include Staging Femininities (1999) and Beyond Representation: The Politics and Aesthetics of Television Drama (2006). Together they have co-edited Feminist Futures: Theatre, Performance, Theory (2006) and co-authored Performance Practice and Process: Contemporary [Women] Practitioners (2008).
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Description
by E. Aston (Author), G. Harris (Author)
Moving across the boundaries of mainstream and experimental circuits, from the affective pleasures of commercially successful shows such as Calendar Girls and Mamma Mia! to the feminist possibilities of new burlesque and stand-up, this book offers a lucid and accessible account of popular feminisms in contemporary theatre and performance.
Author Biography
ELAINE ASTON and GERALDINE HARRIS are theatre professors based at Lancaster University, UK. Elaine's publications include Feminist Views on the English Stage (2003) and Caryl Churchill (3rd edition, 2010). Geraldine's previous publications include Staging Femininities (1999) and Beyond Representation: The Politics and Aesthetics of Television Drama (2006). Together they have co-edited Feminist Futures: Theatre, Performance, Theory (2006) and co-authored Performance Practice and Process: Contemporary [Women] Practitioners (2008).
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